Entering a novel is like going on a climb in the mountains: you have to learn the rhythm of respiration, acquire the pace; otherwise you stop right away.

Umberto Eco
About This Quote

When you enter a novel, you have to learn the rhythm of respiration, acquire the pace; otherwise you stop right away. As a reader, it is important not to stop at every difficulty. If you do, you will never be able to continue reading until you master all of the novel's tricks. A person who enters into a novel must be able to master all of the techniques that are used in the book.

Source: Postscript To The Name Of The Rose

Some Similar Quotes
  1. Just because it's fiction doesn't mean it's any less true. - Jodi Picoult
  2. Oh, Sweetie. No one ever gets through their TBR list. For every book you finish, you'll add five more. That's just the way it works. - Leisa Rayven
  3. If you don't have time to read, you don't have the time (or the tools) to write. Simple as that. - Stephen King
  4. No tears in the writer, no tears in the reader. No surprise in the writer, no surprise in the reader. - Robert Frost
  5. Read, read, read. Read everything -- trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it. Then write. If it's good, you'll find out. If it's not,... - William Faulkner
More Quotes By Umberto Eco
  1. What is love? There is nothing in the world, neither man nor Devil nor any thing, that I hold as suspect as love, for it penetrates the soul more than any other thing. Nothing exists that so fills and binds the heart as love does....
  2. Not bad, not bad at all, " Diotallevi said. "To arrive at the truth through the painstaking reconstruction of a false text.
  3. Under torture you are as if under the dominion of those grasses that produce visions. Everything you have heard told, everything you have read returns to your mind, as if you were being transported, not toward heaven, but toward hell. Under torture you say not...
  4. Thus we have on stage two men, each of whom knows nothing of what he believes the other knows, and to deceive each other reciprocally both speak in allusions, each of the two hoping (in vain) that the other holds the key to his puzzle.
  5. After so many years even the fire of passion dies, and with it what was believed the light of the truth. Who of us is able to say now whether Hector or Achilles was right, Agamemnon or Priam, when they fought over the beauty of...
Related Topics